And this entire succession of sections hits especially hard because of wowaka's history with vocaloid. And then it builds again to this truly transcendent chorus. Nope! It switches into this beautifully stripped down instrumental fully giving over the spotlight to Miku. And at 1:10 you're ready to get your ears blown off. Fast, hard, unrelenting chaos building towards a climax. He subverts expectations to a degree that's only possible because of his legendary status and iconic sound.įrom the very first notes you know, yep this is wowaka. Wowaka pulls one of the best beat switches I know and not just once but twice. Sonically, thematically and emotionally it is a masterpiece front to back. We hope to remain an error in the music industry for the rest of our lives.I truly and deeply wish it wasn't, but it is a perfect farewell song to vocaloid by wowaka. This can contrast to artists / musicians in social media, especially in pop music, who quickly conform to the societal standards of music making after making their break, in turn losing the thing that made them special and unique in the first place. The name behind GHOST DATA comes from the actual computational phenomenon “ghost data”, occurring after a supposed error is found – and corrected – thereby losing the original data forever. A staple of any GHOST DATA track can be recognized by their deep melody writing, emphasis on the human experience and emotional output, and strong percussive work.Įstablished in 2012, it was only until 2014 that GHOST DATA began taking a more serious interest in music production, honing every possible production technique and experimenting with every possible genre until finally solidifying his signature sound. GHOST DATA composes many different types of music through heavy experimentation and meaningful melody. GHOST DATA is a producer of electronic music, specializing in symphonic melody making and deep harmonic chord structuring, backed by creative and intuitive percussive work.
Patron Thanks: Zurui, Tyler Ray, Circus-P, Stephan Lyons, Josh R., Justin Whitlock (JorroTreul), Chorvaqueen, Draya-Z, ArgentHeart, PaintedCz, Chandler Brown, KrisElric, Pax M., iwantcandy2, Krista Jones, Risuperu, Ashura, Agatechio, Meg, Psycho(Soubi), Jade Kaiba, Assora Tatsumi, Violin (Iris), Aaron
“Metropolis” (2) was commissioned by Sange for his album “CITY OF BEASTS” featuring the UTAU Juni Ginkuro, and he has graciously allowed me to include it on this album. Special Thanks: Zero-G Ltd., Voctro Labs S.L., EmpathP (AkiGlancy), Circus-P, ODDEEO, Baggagelizard, Dj-jo, my friends and family, my significant other, and you! Music, lyrics: nostraightanswer (Kenji-B)Īdditional lyrics: EmpathP (4), Zurui (7) Featuring “My Impulse”, “Define Me”, “Pacify”, “Pushing Daisies”, and “Half-Life”, this album represents a large chunk of my career as a VOCALOID producer. Featuring a blend of electronic pop, house, and synthrock, SYNTECH is my first lyrical VOCALOID album.